Show operation
Watchout and Resolume for live visual playback and show delivery, with redundant backup machines running alongside the main system.
- Watchout
- Resolume
- Redundant playback
Visual jockey
10 years of live execution
Visuals built for the live stage, for concerts, corporate shows and techno festivals.

Concerts, corporate shows and launches where my visuals ran. Select a photo to view it larger.








After my B.Com I spent a couple of years as a hardware and networking engineer. Looking for a creative path, I began exploring visuals and taught myself the craft.
That decision grew into a ten-year journey in live production, across major concerts and corporate shows. Live productions demand exact timing and dependable systems, so I stay focused through long schedules and keep every cue aligned to the show timeline.
I operate the visual systems that bring each show to life, and I build my own control applications to coordinate them.
Watchout and Resolume for live visual playback and show delivery, with redundant backup machines running alongside the main system.
Matrix control for kinetic rig systems and coordinated stage movement.
MadMapper for mapping visuals onto architectural and custom surfaces.
Stage loops and show visuals built in 3D, sized to the screens they will run on.
Tools I’ve built for show operators, from SRI-GFX. Checkout and download are handled securely by Gumroad.
Main. Backup. Production. One glance. Live status, node health and show control for every machine in your rig.
Nothing is installed inside WATCHOUT. It runs on your own network, with no cloud and no account.
One click. Two machines. Always in sync. A simple way to always have the backup system ready during the show, with no more media exports.

Visual jockey
10 years of live execution
I build redundancy into every workflow with simultaneous backup machines, and I develop my own applications to control and coordinate the systems. Precision under pressure is the job.
Show control
Projection
3D content
Completed my degree in commerce.
A couple of years before moving to visuals.
Ten years across concerts, corporate shows and techno festivals.
Available for live productions. Share the date, venue and screen setup, and I’ll reply with how I’d run it.